Month: January 2013

Writing for the YouTube Generation

The attention span of our YouTube Generation – 30 seconds or less.

That’s why we’re Writing All Wrong.

In today’s world of mass media consumption, how do I make my writing stand out?
—Nelly Bridget, Waltham, Pa. 

If you plan to get your reader for the next thirty minutes, get them in the first thirty seconds.

Why?

You’re dealing with internetizens that, on average, don’t watch a YouTube video for longer than 30 seconds. People watch slow, and they read slower.

What’s catching them and keeping them?

Short paragraphs.

Enticing lead-ins — “Advanced healing and regenerative procedures offered to disabled veterans. The cost? Mandatory reenlistment, first in line for combat.”

Narrow questions — “Who consumes the most science fiction today?”

Distilled answers — “The one reason you can’t write a science fiction novel anymore.”

Unresolved solutions —

Writing All Wrong can be reached via email (WritingAllWrong@me.com) and followed on Twitter (@WritingAllWrong).

Five Reasons You Should Quit Writing

I love writing. It’s as if you’re staring at an empty pan, only to realize you know how to cook, and you have bacon on hand. Thus, creation and consumption are born.

Not everyone who writes loves writing. Ask a technical writer. And not everyone who loves writing writes. Ask a reader.

Then you have that not-rare-enough breed, those who love writing more than they love to write

That’s why we’re Writing All Wrong.

What do I need to do to make my writing as good as the writers I interact with online (Facebook, Twitter)? What kinds of questions or things should I talk about with them, so I have some more productive conversations?
—Jameson Cory, Pembroke Pines, Florida. 

Unless you have some existing, established creative outlet of your own, this is why I don’t recommend befriending writers. (And because I’m crotchety and mean, so there.) Writers write. They talk about writing. They joke about writing. They tell others how they can write better. They write about people reading their writing.

So if you’re not writing, what do you feel guilted into doing? Writing. 

Here’s five warning signs you might want to quit writing.

You love reading.

You read one book a day, minimum. The pleasures and machinations of the written word fulfill your soul. To you, the epitome of eros is that evening where you cozy up to the fireplace and snuggle with a good book. You’re the type who will eat dinner out without bothering to care to cook. You don’t need to write if reading makes you happy. Writers need readers.

You love fun.

Don’t tell me you haven’t heard of the “fun ban” for writers? Let’s put it this way: if you’re big on travel, clubbing, filling the void with parties, friends, alcohol, cruises, and material pleasures, then you live a fun life. Writing is insular. You can’t do it at all the fancy restaurants you Instagram. Livetweeting your awesome third European vacation isn’t considered flash fiction. Face it, you live for the thrills for consumption. Read a book on one of your expensive cruises, and we’ll call it even.

You love the myth.

There’s some idiosyncratic appeal to the tortured artists, the pre-hipster hipster who labored over each stroke of the typewriter, every nuance of the pen. The feverish all-nighters, the race to slip under the descending portcullis of deadlines, and the dashing esteem these artisans acclaim. Quit you’re writing while you can keep that myth intact.

You love company.

Nothing wrong with people. Ok, there’s plenty wrong with people, but that notwithstanding, people take time. Effort. Money. Let’s say you’re given the option to spend the night out with friends. And they’re paying. Most everyone says ‘Yes’ to that. Every time. Unless you’re a writer. There’s always something to be written. Sure, there’s the occasional luau here and there, but there’s always the writing now and now.

You love writers.

Most writers/bloggers/content creators can’t get away with being Henry James. There’s a modicum of humor, verve, and interaction they’re obligated to deliver. It’s their job to draw you into their personality and their persona. That’s how they get their prose to sing. It’s nice that you like these folks, but if you like writers for their works and personality, you’re a fan. And not every fan needs to be a writer. Sitting in a garage won’t make you a car. Neither will keeping company with writers make you a writer as well.

Writing All Wrong can be reached via email (WritingAllWrong@me.com) and followed on Twitter (@WritingAllWrong).

Keeping Writing Resolutions

Christmas has been conquered. The holidays, defeated.

New Year’s euphoria continues to run on liquor, rocket feel, and imagined vibes, anticipating a slow crash back into reality. The coma subsides. Here we are, back to the new struggles in 2013, same as the old ones in 2012.

For many, that’s reality. For some, it’s a choice not taken.

That’s why we’re Writing All Wrong.

I don’t really want any more New Year’s resolutions to keep. How do I keep the ones I have?
—Moira Bartlett, Peterborough, Ontario. 

(Editor’s Note: The resolutions/revolutions for 2012 still pack a wallop for 2013: http://writingallwrong.com/2012/01/02/new-years-revolutions/)

That is the trick, isn’t it? All the brainpower goes into resolution making, but it’s the willpower that goes into resolution keeping. If you’re looking to turn your writing resolutions into reality, here are a few New Yearly helps to do just that.

Keep it small and steady.

Unless you’re unemployed, it’s a stretch to set a stretched wordcount goal. “I’m going to write OVER 9000 words PER DAY!” isn’t only stupid, it misses the point of building a habit. If you happen to hold a job, kids, or jobkids, it’s more impressive to build a muscle of writing every day. It’s never the amount that counts. It’s the mounts that amount. Or something.

Look just down the road, not into the future. 

Become best-selling author. Get all the royalties, book deals, chicks, booze, and followers on Twitter to fund my Kickstarter island awesome paradise.” — WRONG (on so many levels).

Find your “down the road.” If you haven’t finished your novel, short story, novella, then finish it off in 2013. If it’s done, then get it represented (or self-pubbed, if that’s your inclination.) If it’s represented, work on a next book. You can build that “island awesome paradise” on the backs of years of finished resolutions.

Take less giant leaps and more small steps.

The time will come when you need to make that big splash. The big publishing break. The joint venture. The cross-collaborative blogging initiative-a-palooza. But don’t be afraid to keep moving forward. Whether it’s more fictions here, more writing snippets there. Keep taking forward strides, maybe even more than the giant leaps. Often will you miss a leap, but rarely will you miss a step.

Look back to look back.

What all did you accomplish in 2012? Maybe it’s not so much doing things different, but better.

In Writing All Wrong City, I kept my audience of nine or ten plodding along with blog posts. Didn’t quit, even though I had the hat ready to hang each week.

I broke off some unnecessary connections and made new ones. Influence is profound, and chose those who’d help my writing, not hinder it with distraction (plugging, advertising, backscratching, pandering).

I finished my second book. This time, I resolved to refashion a plan that would get it off the agency slush pile and into representation. I queried plenty (and smarter) in 2012 than I did in 2011. I won’t say where things stand just yet, but stay tuned.

2013 is a year of reaping what you sow and sowing anew. Make a little, keep a lot.

Writing All Wrong can be reached via email (WritingAllWrong@me.com) and followed on Twitter (@WritingAllWrong).